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The goal of this clinical trial is to learn if transcranial direct current stimulation (tDCS) can improve the technical, expressive, and stage aspects of musical performance in young orchestra musicians aged 18 to 30 years. The main questions it aims to answer are:
Participants will:
This randomized pilot study aims to investigate the acute effects of transcranial direct current stimulation (tDCS) on the technical, expressive, and stage aspects of musical performance in young orchestra instrumentalists.
A total of 24 musicians, aged 18 to 30 years, with at least three years of orchestral experience, will be randomly assigned to either an active tDCS group or a sham stimulation group. The stimulation will target the supplementary motor area (SMA) using a 2.0 mA anodal current for 30 minutes, with the cathode placed over Fp2. The sham group will undergo the same electrode placement, but the current will be turned off after 30 seconds.
The study will adopt a double-blind design, where neither participants, care providers, investigators, nor outcome assessors will know the group allocations. Each participant will perform a standardized musical piece before and after the intervention, and after a 2-hour interval post-intervention. Performances will be recorded and evaluated by independent expert judges using the Rubric for the Assessment of Music Performance Achievement.
Psychometric evaluations will be conducted using the Mazzarolo Music Performance Anxiety Scale (M-MPAS) and the General Musical Self-Efficacy Scale. Self-assessments of performance and sensations during stimulation will also be collected. Data analysis will compare changes in musical performance, anxiety, and self-efficacy between groups.
This study seeks to provide preliminary evidence on the potential of tDCS to enhance musical performance and psychological factors such as performance anxiety and self-confidence among young musicians. Safety and feasibility of the intervention will also be monitored throughout the study.
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| Label | Type | Description | Intervention Names |
|---|---|---|---|
| Active tDCS | Experimental | Participants will receive active transcranial direct current stimulation (tDCS) with a 2.0 mA anodal current applied over the supplementary motor area (FCz) and cathodal electrode over Fp2 for 30 minutes. |
|
| Sham tDCS | Sham Comparator | Participants will receive sham transcranial direct current stimulation (tDCS) with the same electrode placement as the active group; however, the current will be turned off after 30 seconds to simulate the initial sensations without delivering prolonged stimulation. |
|
| Name | Type | Description | Arm Group Labels | Other Names |
|---|---|---|---|---|
| Active transcranial direct current stimulation (tDCS) | Device | 2.0 mA anodal stimulation applied over FCz with cathode over Fp2 for 30 minutes using a transcranial direct current stimulation device. |
| Measure | Description | Time Frame |
|---|---|---|
| Change in Musical Performance Scores (Rubric for the Assessment of Music Performance Achievement) | Musical performance will be evaluated by independent expert judges using a standardized rubric assessing technical, expressive, and stage presence aspects. | Baseline, immediately after intervention, and 2 hours after intervention |
| Measure | Description | Time Frame |
|---|---|---|
| Change in Self-Reported Musical Performance Score (0-10 scale) | Participants will self-rate the quality of their musical performance on a 0 (worst) to 10 (best) scale after each recording session. | Baseline, immediately after intervention, and 2 hours after intervention |
| Music Performance Anxiety (Mazzarolo Music Performance Anxiety Scale - M-MPAS) |
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Inclusion Criteria:
Exclusion Criteria:
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| Name | Affiliation | Role |
|---|---|---|
| Ricardo Galhardoni, Ph.D | Neuromodulação em Foco | Principal Investigator |
| Renato Santos de Almeida, Ph.D | Centro Universitário Augusto Motta | Study Chair |
| Débora Cristina Lima da Silva, Ph.D | Centro Universitário Augusto Motta | Principal Investigator |
| Facility | Status | City | State | ZIP | Country | Contacts |
|---|---|---|---|---|---|---|
| Centro Universitário Augusto Motta (UNISUAM) | Rio de Janeiro | Rio de Janeiro | 21041-010 | Brazil |
| PubMed Identifier | Type | Citation | Retractions |
|---|---|---|---|
| Background | Álvarez-Díaz M, Muñiz-Bascón LM, Soria-Alemany A, Veintimilla-Bonet A, Fernández-Alonso R. On the design and validation of a rubric for the evaluation of performance in a musical contest. International Journal of Music Education. 2021;39(1):66-79. doi:10.1177/0255761420936443 | ||
| 35153903 | Background | Mazzarolo I, Schubert E. A Short Performance Anxiety Scale for Musicians. Front Psychol. 2022 Jan 26;12:781262. doi: 10.3389/fpsyg.2021.781262. eCollection 2021. | |
| 28830433 |
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It has not yet been determined whether individual participant data (IPD) will be shared. The decision will depend on future analyses, data sensitivity considerations, and publication plans.
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| ID | Term |
|---|---|
| D001008 | Anxiety Disorders |
| ID | Term |
|---|---|
| D001523 | Mental Disorders |
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Participants will be randomly assigned to either an active tDCS group or a sham stimulation group.
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Participants, investigators, and outcome assessors will be blinded to group assignment until the end of data collection.
| Sham transcranial direct current stimulation (tDCS) | Device | Sham stimulation mimicking the sensations of tDCS; the current will be turned off after 30 seconds while maintaining electrode placement over FCz and Fp2. |
|
Participants' levels of music performance anxiety will be assessed using the Mazzarolo Music Performance Anxiety Scale (M-MPAS), a validated 5-item instrument designed to measure cognitive, somatic, and behavioral symptoms of performance anxiety in musicians. Each item is rated on a 7-point Likert scale (0-6), with a total score range from 0 to 30 points. Higher scores indicate greater levels of anxiety, with scores ≥11 suggesting a tendency toward elevated performance anxiety. |
| Baseline |
| Musical Self-Efficacy (General Musical Self-Efficacy Scale) | Musical self-efficacy will be assessed using the performance subscale of the General Musical Self-Efficacy Scale, composed of 11 items rated on a 7-point Likert scale ranging from 1 ("Strongly disagree") to 7 ("Strongly agree"). The total score ranges from 11 to 77, with higher scores indicating greater self-efficacy in musical performance contexts. | Baseline |
| Perception of Intervention Received (Active or Sham) | Participants will report whether they believe they received active stimulation or sham stimulation, to assess effectiveness of blinding. | Immediately after intervention |
| Background |
| Sanchez-Kuhn A, Perez-Fernandez C, Canovas R, Flores P, Sanchez-Santed F. Transcranial direct current stimulation as a motor neurorehabilitation tool: an empirical review. Biomed Eng Online. 2017 Aug 18;16(Suppl 1):76. doi: 10.1186/s12938-017-0361-8. |
| 30327622 | Background | Anic A, Olsen KN, Thompson WF. Investigating the Role of the Primary Motor Cortex in Musical Creativity: A Transcranial Direct Current Stimulation Study. Front Psychol. 2018 Oct 1;9:1758. doi: 10.3389/fpsyg.2018.01758. eCollection 2018. |
| 34904303 | Background | Chinzara TT, Buckingham G, Harris DJ. Transcranial direct current stimulation and sporting performance: A systematic review and meta-analysis of transcranial direct current stimulation effects on physical endurance, muscular strength and visuomotor skills. Eur J Neurosci. 2022 Jan;55(2):468-486. doi: 10.1111/ejn.15540. Epub 2022 Jan 6. |
| 27372845 | Background | Bikson M, Grossman P, Thomas C, Zannou AL, Jiang J, Adnan T, Mourdoukoutas AP, Kronberg G, Truong D, Boggio P, Brunoni AR, Charvet L, Fregni F, Fritsch B, Gillick B, Hamilton RH, Hampstead BM, Jankord R, Kirton A, Knotkova H, Liebetanz D, Liu A, Loo C, Nitsche MA, Reis J, Richardson JD, Rotenberg A, Turkeltaub PE, Woods AJ. Safety of Transcranial Direct Current Stimulation: Evidence Based Update 2016. Brain Stimul. 2016 Sep-Oct;9(5):641-661. doi: 10.1016/j.brs.2016.06.004. Epub 2016 Jun 15. |